Emily Wardill, Lilith Performance Studio, 27–28 april. Thomas Millroth · Följ Thomas Millroth. Patienten studeras medan han långsamt skalar ett
Photo: Iris Ranzinger. Reflecting on film as a concrete, physical reality Emily Wardill’s Night … Emily Wardill Matt Black and Rat January 20–March 26, 2017 Plattform: January 21, 2–3pm, Emily Wardill in conversation with Martin Clark Plattform: February 16, 7–9pm, Kirsty Bell on Emily Wardill Bergen Kunsthall Rasmus Meyers allé 5 5015 Bergen Norway Hours: Tuesday–Sunday 11am–5pm, Thursday 11am–8pm The Showroom presents the London premiere of British artist Emily Wardill’s new work, Game Keepers Without Game, a powerful feature length film based on Life is a Dream (La Vida es Sueño) by Pedro Calderón de la Barca.The exhibition will also stage the development of Wardill’s new film, Fulll Firearms. Game Keepers Without Game 2008-10-01 "Published as part of the exhibition Emily Wardill - Fulll Firearms, Badischer Kunstverein, January to April 2012. Music by Marc Shearer directed by Emily Wardill. Mastered by Nicholas Bussmann.
The … Emily Wardill | group exhibition | Marianna Uutinen. Public · Hosted by carlier | gebauer. clock. Friday, January 30, 2015 at 6:00 PM – 9:00 PM UTC+01. More than a Emily Wardill is on Facebook. Join Facebook to connect with Emily Wardill and others you may know. Facebook gives people the power to share and makes the world more open and connected.
2014. Malin Arnell, Fia Backström, Imri Sandström. 27 October–16 November 2014 · Emily Wardill: When you fall into a trance. 20 September–18 October 2014.
Ur minnet Ana Gallardo, Tamar Guimaraes, Emily Wardill. Vi visar tre kvinnliga konstnärer från tre generationer och med skilda nationaliteter. Hilma af Klint, Carolus Enckell, Olav Christopher Jenssen, Joachim Koester, Silja Rantanen, Nina Roos, Emily Wardill, Christine Ödlund, Lunds Malmö/Lund: Lunds Konsthall visar den konceptuella utställningen As Told. Ana Gallardo, Tamar Guimarães & Kasper Akhøj, Emily Wardill 10 Emily Wardill.
Bi is a new work by Emily Wardill (1977, England, lives and works in Portugal). Walking into the room exhibiting Bi feels like interrupting a play, although you cannot just sit and passively watch. The entire work is on two screens back to back, and the idea opens up as you watch the beautiful set on the front screen, listening to the rhythm of the voices, whose identities are shown more
Emily Wardill: When You Fall into a Trance, 2013, video, 72 minutes; at Carlier|Gebauer.
Hilma af Klint, Carolus Enckell, Olav Christopher Jenssen, Joachim Koester, Silja Rantanen, Nina Roos, Emily Wardill, Christine Ödlund, Lunds
Malmö/Lund: Lunds Konsthall visar den konceptuella utställningen As Told. Ana Gallardo, Tamar Guimarães & Kasper Akhøj, Emily Wardill 10
Emily Wardill. Lilith Performance Studio, YstadvĂ¤gen 22/ Bragegatan 15 i MalmĂś, den 27â€“28 april. NĂ¤sta samarbete i
Emily Wardill (b 1977) has presented solo exhibitions at Bergen Kunsthall (2017); The National Gallery of Denmark, Copenhagen (2012); The Badischer Kunstverein, Karlsruhe (2012); de Appel arts centre, Amsterdam (2012);
Emily Wardill (born 1977 in Rugby, England), is a British artist and film maker. She studied fine art at Central St. Martins College of Arts and Design in London. In 2010, Wardill was awarded the Film London Artists' Moving Image Network Jarman Award, which allowed her to show her works on national television in the UK.
Emily Wardill (b.
STANDARD 5. Nov. 2020 Emily Wardill. Night for Day, Vienna Secession, 2020.
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5. Nov. 2020 Emily Wardill. Night for Day, Vienna Secession, 2020.
Night Emily Wardill’s films, photographs, and objects probe the complexity of perception and communication, the question of how reality appears authentic to us, and the displacements of substance and form effected by the individual nature of the imagination. Centre for Innovation, Research and Competence in the Learning Economy, Circle Remove author: Wardill, Emily (LU) User guide; About accessibility; Contact; Built with LibreCat Emily Wardill’s (UK, 1977) interest in stages towards understanding that might become spaces of a different kind has inspired her to make work stemming from case studies on risk assessment that chart a series of mysterious fires in the French Jura, to a psychoanalytical case study on negative hallucination to memory palaces and their relationship to colourless vision, to stained glass as an copy and paste the html snippet below into your own page: Emily Wardill. Head of an Imelda, 2011.
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Emily Wardill’s films deconstruct their own visual languages, in a way that is inspired by an attempt to empower the viewer, but which also emphasises the irreducible strangeness of images. Her films are known for their historical and intellectual appetites, as well as their stylistic restlessness.
She is currently working towards solo shows at Secession, Vienna, and Kohta, Helsinki. View the profiles of people named Emily Wardill. Join Facebook to connect with Emily Wardill and others you may know.
Emily Wardill primarily works with film and video. Taking her point of departure in the relationship between materiality and ideas she works in an original, humorous, and critical manner, mixing a wide range of filmic genres and connecting insights into historical, scientific, and philosophical information in unorthodox ways.
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A production of the Centre d’Art Contemporain Genève for the Biennale de l’Image en Mouvement, 2016, with the support of the Fonds d’Art Contemporain de la Ville de Genève (FMAC) and the Fonds Cantonal d’Art Contemporain de Genève (FCAC), Faena Art, In Between Art Film and HEAD Emily Wardill: When You Fall into a Trance, 2013, video, 72 minutes; at Carlier|Gebauer. From Hitchcock in Rear Window to Wenders in Paris, Texas, filmmakers seeking to make their medium reflect Bi is a new work by Emily Wardill (1977, England, lives and works in Portugal). Walking into the room exhibiting Bi feels like interrupting a play, although you cannot just sit and passively watch. The entire work is on two screens back to back, and the idea opens up as you watch the beautiful set on the front screen, listening to the rhythm of the voices, whose identities are shown more The Hands Of A Clock, Even When Out Of Order, Must Know And Let The Dumbest Little Watch Know Where They Stand, Otherwise Neither Is A Dial But Only A White Face With A Trick Must Emily Wardill leads us through a selection of her previous works while unraveling her interests and focus of attention. At AiR 351 Emily Wardill is developing a… 2020-11-17 Wardill’s work has been included in numerous publications including Afterall, Art in America, Art Review, Artforum, Flash Art, Frieze, and The New York Times. She works currently as a professor at Malmö Art Academy. Link: Emily Wardill at Altman Siegel.